Archive for the ‘Sony FS100’ Category

Review/Comparisons: RED (Scarlet,Epic), Canon (5D-II, C300), F3, FS100, AF100

Thursday, December 1st, 2011

How best to get the 35mm look?  “Traditionally” the DSLRs like Canon’s 5D Mk.2 or 7D (or, at lower frame-rates, the D500).  But now the RED Scarlet and the Canon C300 have been announced (3rd November 2011).  Then there’s the AF100 (with or without hacks) and the FS100, also the Sony F3, with or without dual SDI link 10-bit recording to S-Log.

Here are some comparisons:

A particularly interesting “argument/opinion of comparison” between F3 and C300:

    • (Yes, the URL has a dot on the end)
    • <<<
    • Because (the C300 has) a great sensor with very good RGB color filters on its bayer sensor, great dynamic range, zero aliasing, crisp as hell 1080p, oversampled green channel, 14-bit processing, recording to log? 8-bit MPEG-2 is not as big of a disadvantage as people think if you feed it with awesomeness to start with
    • The F3’s sensor is perhaps not quite as good though – it doesn’t resolve full 1080p without aliasing – eg Barry’s brick wall color moire test. BTW Talking of that test… what exactly is the advantage of the 4:4:4 output on the F3 if its sensor can’t resolve 4:4:4 color detail anyway?
    • >>>
    • A demonstration of moire on the Canon 5D Mk.2

Training: Den Lennie’s “Music Video” Experience

Thursday, October 27th, 2011

I attended, working on one of the camera units.  Had a great time, learnt lots, at all sorts of levels.  Even how to make good use of the Movie Slate application on my iPhone!  Link: