Archive for the ‘LightWorks’ Category

LightWorks: Will it Coexist with Adobe & Avid?

Thursday, August 8th, 2013

I expect so…


Best NLE for MultiCam Editing? FCPX for Mac, LightWorks for Windows (and in future for Linux then Mac OS)?

Sunday, July 14th, 2013

As explained as part of my recent “Best of Breed” post, I wish to identify the best NLE for multicam editing.  It is possible to achieve such editing in a variety of NLEs, with much the same technical quality.  What matters here is friendliness and flexibility, leading to productivity (and hence, in limited-time situations, to greater product quality).

I like the sound of FCPX (with required add-ons) on Mac OS and of LightWorks which is currently on Windows only, soon to go Linux and intended in future to be on Mac OS also.  I need to watch a few YouTubes about these and and give them a try.  Hopefully I can get a colleague with FCPX to demonstrate it and als I plan to download/install a copy of the free version of LightWorks.  Then try them out on archived previous live-event multicam projects.


Tools/Workflow Philosophy: Best-of-Breed rather than Already-Integrated Suite ?

Sunday, July 14th, 2013

I am becoming less enthusiastic about the “Integrated Suite” philosophy or perhaps actuality of Adobe CS6, in favour of a “Best of Breed” approach, where I cherry-pick the best tool for each kind of job and then design or discover my own workflow for integrating them.

I reached this conclusion from the following experiences:

  • As regards editing itself:
    • For general A & B Roll” editing, I find Premiere is ok, though for improved usability, I’d prefer a Tag-based system (as in FCPX) to the traditional Bin-based one (as in Adobe & Avid).
    • For MultiCam editing, even in Adobe CS6, I find Premiere does the job but I find it clunky, frustrating and limited at times, like it has not yet been fully “baked” (though “getting there”)…
      • e.g. In the two such projects I have so far worked on, there has been an annoying 2-second delay from pressing the spacebar to actual playing.  Maybe some kind of buffering?
        • I found a setting for “Pre-roll” in the Preferences but altering it made no difference.
        • The following suggested that the embedded audio (in video file) could be the issue, the solution to which was to relink to a WAV file.
      • e.g. It brings up a separate MultiCam Monitor instead of using the Source Monitor.  You have to remember to activate this each time before playing.  I find that a nuisance (and time-waster when I forget) especially because I tend to alternate multicam editing as such with tweaking the cut timings until they feel right, and sometimes that can only be done in retrospect.
      • e.g. When you stop playing in multicam mode, it places a cut (that you probably didn’t want) wherever the playhead happens to be at the time.
        • I see I am not the only one complaining about this: “ExactImage, Sep 15, 2012″at
          • A workaround given at that link: Before to stop the playback press the key 0 (zero) of the keyboard and then you can stop the play (with the Space bar) without the cut in the timeline.” Duh!
      • e.g Markers are really useful in multicam, but while Premiere’s are steadily improving with product version, they are way clunkier and more limited than those in Sony Vegas:
        • e.g. I put a marker at the start of an interesting section (of timeline), I select it and define its duration to be non-zero, so I can stretch it out to mark a region, then I drag the playhead to the find the end of that interest, I try to drag the marker’s right-hand end up to the playhead, but instead the playhead gets reset to the start of marker.  Duh!
        • e.g. Markers cannot be promoted from clip (media or nested Sequence) to current Sequence.
        • e.g. waveform displays (assuming you can get them to appear in the first place) go blank when sliding clips around.  Really annoying when trying to synchronise to music etc.
    • …so I will explore other options for multicam:
      • In the past (as will be apparent from the above) I have had more joy, as regards Multicam, with Sony Vegas.
      • I will check out what people think of other NLEs as potential “Best of Breed” for multicam editing.  Thus far I have heard (from web-search) good things about FCPX and LightWorks.
  • For audio enhancement, such as denoising, I find iZotope’s RX2 far superior to the one in Adobe Audition.
  • For making a DVD:
    • I find Encore to be handy in some ways but limited and clunky in others.
      • e.g. can’t replace an asset with one of a different type (e.g. [.avi] and [.mpg]).
    • The advantage of using an integrated DVD-Maker such as Encore might be limited:
      • e.g. many people are not using the direct link, but exporting from Premiere/AME, in which case any third-party DVD Builder could be used.
      • The only significant advantage I am aware of is the ability to define Scene/Chapter points in Premiere and have them recognised/used by Encore.
        • But maybe some third-party DVD Builder applications can also recognise these?  Or can be configured/helped to do so?  Worth finding out.
    • ?

LightWorks with AviSynth (via AVFS)

Sunday, September 4th, 2011


Sunday, September 4th, 2011

Free open-source pro-class NLE: .  Well-received by many.  Glimmers a little bit like FCPX, but more flexible user interface, including keyboard-compatibility options with AVID and FCP7.  Register to download it (just over 40 MB).  Further links: